Church Of The Holy Cross

Date:
24 Jul 2006
Location:
Church Of The Holy Cross, High Street, Ramsbury, Kennet, Wiltshire, SN8 2PA
Reference:
IOE01/15777/27
Type:
Photograph (Digital)
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Description

This information is taken from the statutory List as it was in 2001 and may not be up to date.

SU 27 SE RAMSBURY HIGH STREET (north side) 10/207 Church of the Holy Cross

22.8.66

I

Anglican parish church. C13, early C14, C15 and 1891. Flint with limestone ashlar dressings. Chancel roughcast. Lead and slate roofs. Originally cruciform plan, but aisles lengthened in C13-C14 into transepts. Nave, aisles with south porch, chancel part detached north chapel and west tower. Chancel, lengthened C15. 6- light transomed east window and 4- and 3-lights on south. Aisles rebuilt 1891 by Doran Webb, 2-light with pointed segmental heads.

Nave clerestory 3-light Tudor arches. Tower, massive, with corner buttresses and south-east stair and 3-light intersecting tracery over c1400 west door having consecration crosses on jambs. Two- light bell openings and crenellated parapet. South porch of 1892, elaborately detailed with knapped flint flushwork and inscription.

Sundial on south wall.

Interior: Nave of 4 bays, 2 chamfered orders pointed arches on wave moulded piers, the two west arches and piers more elaborate.

Early C14. Wide tower arch with 3 wave mouldings, all amply proportioned. Chancel arch simple chamfers expanded to string moulding as capitals. Low pitched roof of 5 bays, C15, cambered moulded ties bracketed to wall posts. Carved bosses and corbels.

Aisles, rebuilt 1891, wide, with 8-bay roof arcaded against outer wall and with stone carved corbels. C14-C15 north door. Chancel: North wall with close set blocked lancets and door, C13. Plaster vault. Chancel arch terminates in bell capitals and commences deep trefoiled wall arcade. Raised sanctuary. Trefoiled piscina and second on north side. Dayrell Chapel: Almost detached. Niche in north-east corner, and smaller niches in jambs of east window, nodding ogee and crocketed canopies. Piscina with bracketed credence shelf, possibly C19. Fittings: Font, good goblet bowl of C12 with overall lozenge pattern, raised on stem of 1842 carved with scenes by Thomas Meyrick. Organ in north aisle, 1838 painted case, some work by England, restored c1960. Pulpit, readers desks, communion rail and choir stalls all of limed oak, elaborately Gothic of 1892-3 and good. Screen to south aisle, also limed oak and also good, of 1943. Brass lectern. Monuments: Chancel: Fine Purheck wall chest tomb of C15, with 4 panel bays, with solid canopy having 9-foil arches and swirling fan vaulted soffite, supported by network columns, solid to east. Monument to Sir WILLIAM JONES, attourney-general to Charles II, 1682. Marble chest with cartouche and inscription. Sir WILLIAM, periwigged, half reclines on chest, holding scroll. Behind a sarcophagus with gadrooned black marble top and square crest with book over skull.

Painted shield and urn finial. WILLIAM JONES, 1775, by L. F. Moore of London, black, white and red marbles Tablet and above, on wide black obelisk, a bust with medallion and drapes held aside by putti. Above a sarcophagus and crowning pediment. Wall tablet to MARY BURDETT, 1797 by King of Bath, White and grey marbles. Fluted bell below, above, a scene with sheep, vase and wilting lily, all on grey marble arched panel and poem. Tablet, 1840, to WILLIAM JONES BURDETT; Tablet, 1844, Sir FRANCIS BURDETT; M.P. Oval plaque. 1892, Marble, to Colonel Sir FRANCIS BURDETT; Dame FRANCIS BURDETT, 1948; Major Sir FRANCIS BURDETT, 1951. On north side Tablet, 1694 to ROBERT HILLMAN, Marble, oval with small garlanded urn. Before altar, floor slab with Norman French inscription, to WILLIAM ST. JOHN, 1322. Nave: Tablet, 1830, to EDWARD MEYRICK.

Tablet, 1839 to Reverend EDWARD MEYRICK by C. H. Smith of London.

South Aisle: Various wall tablets of grey and white marble: 1705/6, to HENRY READ and family, curved pediment and apron; 1756, to HENRY READ, pedimented tablet and apron; 1786, to HENRY READ, by van Gelder, a weeping figure holding urn with grey marble pyramid background; 1801, to FRANCIS READ also by van Gelder, projecting panel with draped urn over, mounted on grey pyramid. (pevsner notes transition between Baroque-Roman classicism to Greek classicism); 1821, Lieutenant General HENRY READ, by Blore of London, half oval tablet with panel. Urn over, all on drapery background;1845, MARY ANN SEYMOUR; 1847, ANN COTTINGHAM; 1865, brass tablet on slate, to WILLIAM ROWLAND. North Aisle: Various white and black marble tablets; 1808, ELIZABETH BATSON, by Honeybone of Shrivenham, standing figure with cross over tablet; 1851, to ELIZABETH HAWKINS; 1856, to ALFRED BATSON, by Gaffin; RICHARD DAVIES; 1879, to LOUISE READ, a Gothic limestone memorial.

1977, BERTRAM EDE, slate. On east wall of aisle; 1745 to JONATHAN KNACKSTONE, exuberant cartouche with flying angels and garlands.

Tower: 1805, White marble tablet, to ELIZABETH BLACKMAN, draped urn, corn sprays below. 1845, Gabled aedicule to GEORGE TOWNSEND: 1783, Tablet to MARY READ, mourner over. Dayrell Chapel: 3 main mutilated Purbeck marble chest tomhs, formerly embellished with many brasses but removed during Commonwealth. All probably C15. One central and 2 wall chests with reredos. West end of north aisle: Group of important Saxon and later fragments set on base; Cross shaft, C9, limestone, 3 blocks from 2 crosses, interlace to 2 sides. Biting beast on 2 sides of base and inhabited scroll. Parts of 2 C9 tomb slabs, 1 with chain interlace, second with interlace and cross bifurcating with recurving beast terminals. Fragment of 3rd slab with relief cross in Ringerike style, and small fragment, probably a cross shaft, chain interlace with blank back. Also C13 cross slab with stepped elaborate cross and part of a second, with divers other medieval fragments and terracotta pieces. Some encaustic tiles of C14-C15. Furniture: C16-C17 panelled chest with good locks. C17 large bible box. 2 brass chandeliers dated 1751; 2 tiers of 6 branches. Altar carpet, probably Persian. C19 with parallel tendril stripes. Church clock mechanism in aisle, by Robert Hay of London, 1866. Painting of Nativity in chapel.

(References: Pevsner, N. Buildings of England. WILTSHIRE; V.C.H.

Wiltshire. XII 12f. Kendrick; Anglo Saxon Art to 900AD).

Listing NGR: SU2738271592

Content

This is part of the Series: IOE01/1682 IOE Records taken by John Rendle; within the Collection: IOE01 Images Of England

Rights

© Mr John Rendle. Source: Historic England Archive

This photograph was taken for the Images of England project

People & Organisations

Photographer: Rendle, John

Rights Holder: Rendle, John

Keywords

Ashlar, Flint, Lead, Limestone, Roughcast, Slate, Early Medieval Cross, Religious Ritual And Funerary, Gravestone, Grave Marker, Funerary Site, Parish Church, Church, Place Of Worship, Cross Slab, Grave Slab, Chest Tomb, Tomb, Commemorative Monument, Commemorative, Plaque, Wall Monument, Obelisk, Gardens Parks And Urban Spaces, Garden Ornament, Anglican Church, Sarcophagus, Coffin, Commemorative Brass