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List Entry Summary

This building is listed under the Planning (Listed Buildings and Conservation Areas) Act 1990 as amended for its special architectural or historic interest.


List entry Number: 1189239



The building may lie within the boundary of more than one authority.

County: Greater London Authority

District: Hounslow

District Type: London Borough


National Park: Not applicable to this List entry.

Grade: II

Date first listed: 21-May-1973

Date of most recent amendment: Not applicable to this List entry.

Legacy System Information

The contents of this record have been generated from a legacy data system.

Legacy System: LBS

UID: 202480

Asset Groupings

This list entry does not comprise part of an Asset Grouping. Asset Groupings are not part of the official record but are added later for information.

List entry Description

Summary of Building

Legacy Record - This information may be included in the List Entry Details.

Reasons for Designation

Legacy Record - This information may be included in the List Entry Details.


Legacy Record - This information may be included in the List Entry Details.



II DATES OF MAIN PHASES, NAMES OF ARCHITECTS: The church was built in 1841-3 and is one of the early works by (later Sir) George Gilbert Scott (1811-78) and his then partner William Bonython Moffatt (1812-87). In 1887 their short, five-sided, apsidal chancel was rebuilt under James Brooks (1825-1901) to a greater length and with a square east end. South-east vestries added in 1895.

MATERIALS: Knapped flint facing with strongly contrasted limestone ashlar quoins and other dressings to the body of the church. Red and black brick spire, again with ashlar dressings. Grey, Welsh slate roofs.

PLAN: Nave, chancel and north chapel, south-east vestries, north and south aisles under separate gables, shallow north and south transepts, west tower with broach spire, north porch.

EXTERIOR: Early English lancet style. Four-stage west tower with angle buttresses; west doorway with two lancets above and two-light plate tracery in the belfry windows. Spire with shallow broaches and two tiers of lucarnes. Lancet windows elsewhere, mostly shafted and in pairs; triple, graduated lancets in the transept north and south walls; three lancets of equal height to the chancel east end.

INTERIOR: All surfaces painted, mostly off-white. The five-bay, unclerestoried nave has octagonal piers and double-chamfered arches. The high-pitched nave roof has single hammerbeam trusses alternating with arch-braced ones. In 2000 the two west bays were converted by architect Ian Goldsmith into two-storey community rooms; on the ground floors there are sliding glass screens bearing texts and which separate the community area from the worship space; the first floor has a three-sided glazed projection.

PRINCIPAL FIXTURES: All of Scott's original work has gone, apart from the plain font. Reredos 1894 by E.W. Alleyn with paintings on copper in two tiers representing Types and Antitypes with the appropriate texts cited. The woodwork (stalls, screen, panelling in the chancel and pulpit is of 1906 by a group of local ladies trained by Arthur T. Heady at the local polytechnic. The `Flowers, foliage, musical instruments, etc., are carved with meticulous realism' (Cherry and Pevsner).

HISTORY: Christ Church was built for the new, early Victorian suburb of Turnham Green at a cost of £6,900 of which the Church Building Commissioners provided £500. It is a good and representative early work by Scott who would become the most successful and prolific church architect of Victorian England. Eight of his churches were reviewed in the first volume of the highly influential and hard-to-please journal, The Ecclesiologist, and Christ Church met with much praise, especially for its tower and spire which were considered `peculiarly excellent, and worthy of any ancient architect.' The building is contemporary with Scott's famous church of St Giles, Camberwell, London, and shares with it the architect's growing interest in and use of architecture that is faithful to the spirit of medieval work. The Camberwell church is held to be an important building in the development of C19 church architecture but at Turnham Green similar principles are at work, although on a smaller compass.

SOURCES: The Ecclesiologist, 1, 1842, pp. 56-9. B Cherry and N Pevsner, The Buildings of England: London 3: North West, London, 1991, pp. 392.

REASONS FOR DESIGNATION: The church of Christ Church, Turnham Green, is designated at Grade II for the following principal reasons: * Set back on the south of Chiswick High Road, the church is sited in a large green area, and the building and its setting create an important focal point in this part of Chiswick. * It is a typical building from the early career of one of England's leading Gothic revivalists. Later external alterations have been in keeping with the character of the original. * Interesting late Victorian fittings, some executed by Polytechnic-trained craftswomen.

Selected Sources

Legacy Record - This information may be included in the List Entry Details

National Grid Reference: TQ 20546 78448


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End of official listing