Summary
A Roman Catholic parish church, built as an Anglican workhouse chapel in 1847; converted to a Catholic church in 1979. Architect unknown. The parish centre is excluded from the listing.
Reasons for Designation
The Roman catholic Church of Our Lady and St Michael, built in 1847 as an Anglican workhouse chapel and converted to a Roman Catholic parish church in 1979, is listed at Grade II, for the following principal reasons:
* Architectural interest: the building of 1847 demonstrates some architectural style, with high quality carving and tracery;
* Historic interest: its history as a former workhouse chapel, later converted to a Roman Catholic parish church, is unusual, and adds to its interest;
* Fixtures and fittings: the furnishings brought to the church in 1979 and since, from other churches and chapels in the area, are of high quality, particularly those made for a country house chapel in the 1850s by A W N Pugin and Charles Hansom;
* Group value: with the other surviving element of the former Poor Law Union workhouse, now known as Shipston House, listed at Grade II.
History
In 1836-8 a Poor Law Union workhouse was built on Dallingscott (now Darlingscote) Road in Shipston on Stour, to designs by John Plowman of Oxford, with a cruciform plan, its entrance block facing SW. Within the grounds, across a path but within sight of the entrance, an Anglican chapel was built in 1847. The design appears to have been strongly influenced by the Church of St Mary in Uttoxeter, by A W N Pugin, who considered it to be a model for a small and economical parish church. The workhouse was closed in 1930, and taken over by Warwickshire County Council as a home for elderly people. By the 1970s, both the former workhouse and the chapel were derelict, with the chapel having lost its internal furnishings and glass to vandalism. In 1978, the Archdiocese of Birmingham acquired the chapel and some adjoining land, in order to convert the chapel for use as a Catholic church. A school was built on the adjacent plot. The workhouse site was redeveloped for housing in the early years of the C21. The only other remaining element, the main part of the entrance block, was retained and converted. It was listed at Grade II in 1977.
There had been no Catholic place of worship in Shipston on Stour; historically, it had been part of the mission based at Foxcote, near Ilmington to the north, home of the Canning family. A chapel had been built at Foxcote in 1815, which served as the parish church as well as a private chapel until a Catholic school building of 1864 was adapted as a church. Various locations around Shipston were used to celebrate mass by visiting priests from Ilmington from the 1950s to the 1970s, but the size of the congregation was such that a dedicated place of worship was needed. The former workhouse chapel was repaired and a new parish of Brailes and Ilmington with Shipston was created. Architect Brian Rush was commissioned to plan the repairs, and to design a small parish room, which was to be attached to the south side of the church. Anthony Naylor of Birmingham created new stained glass depicting Pentecost for the east window. The church was furnished from various sources in the area, and has continued to benefit from other receipts as nearby churches close. Many of the current furnishings and fittings were brought to Shipston after the closure of the church at Ilmington, which has been absorbed into the current parish of Shipston on Stour with Brailes, in 2013. These included a number of items which had been designed originally for the Noel family’s private chapel at Campden House, Chipping Campden, Gloucestershire, among them stained glass by AWN Pugin and a reredos and sculptural stoup by Charles Hansom.
The parish room was extended further to the south in 2011 to create a larger parish centre with community facilities.
Details
A Roman Catholic parish church, built as an Anglican workhouse chapel in 1847; converted to a Catholic church in 1979. Architect unknown. The parish centre is excluded from the listing.
MATERIALS: red local brick with Cotswold limestone dressings, and slate roofs.
PLAN: a small rectangular church orientated NW-SE, with a slightly narrower chancel, and west porch, with a parish centre attached at right angles toward its south-eastern end, extending southwards.
EXTERIOR: the church, which is on a darker brick plinth, has dentil brick cogging to the eaves, and angle buttresses to the corners, consists of an aisleless nave with a short, square-ended sanctuary, and a gabled western porch, added in 1858. The nave is of five bays, each bay marked by an attached buttress with two offsets. The lancet windows have hoodmoulds with plain stops. The gable ends have stone kneelers and coped, stone verges. The eastern end is surmounted by a stone cross; at the western end, a stone gabled bellcote for one bell. Below this is a small, circular window with elaborately-cusped geometric tracery and a heavily-moulded surround. The west porch has stone kneelers and verges to match the body of the church, and the gable is surmounted by an exuberant floriated cross. The pointed-arched doorway is has two chamfered and moulded orders with run-outs, and a hood mould. The label stops are portrait heads of Princess Victoria, daughter of Queen Victoria and Prince Albert, and Crown Prince Frederick of Germany, who were married in 1858, the year the porch was constructed. The doors have iron strap hinges.
INTERIOR: the interior of the porch houses the original entrance doorway, with a hood mould and carved head-stops, in the form of medievalising heads of a king and queen.
The nave and chancel have plain plastered walls, incised to resemble ashlar, and an A-truss roof with king-posts rising from the collars, and single purlins. The pointed chancel arch divides the nave from the sanctuary, which has a lower rafter and purlin roof. The east window is a triple lancet, with modern stained glass. The timber altar in a broadly Arts and Crafts style was brought from a former convent at Newbold Revel near Rugby. The wall-posts in the nave are carried on carved stone corbels with detailed, naturalistic carvings including a green man, male and female heads with foliage, a grapevine, a bird in foliage and angels.
PRINCIPAL FITTINGS: the church has been furnished using a variety of fittings and furnishings brought from other Roman Catholic places of worship in what now constitutes the parish, in 1979 and since. These include work by various makers at a variety of dates. The REREDOS, carved stone with three crocketed gables and a central tabernacle, is by Charles Hansom and was made in 1853 for Campden House, Chipping Campden, as was the large holy water STOUP in the porch, in the form of a kneeling angel, also by Charles Hansom, 1853. The historic STAINED GLASS in two windows the north wall of the nave depicts the Annunciation; it was designed by A W N Pugin and made by Hardman of Birmingham, also for the chapel at Campden House. The modern stained glass in the sanctuary and porch is by Anthony Naylor. On the western end of the north wall, a small number of MEMORIALS including one to Philip Canning Howard and his wife Alice, by ‘mouse man’ Thompson of Kilburn, North Yorkshire. The BELL is by Taylor of Oxford, circa 1847.
SUBSIDIARY FEATURES: attached at right angles to the church, opening off the easternmost bay of the nave, is a single-storey parish centre, in two phases, dating from 1979 and 2011, with kitchen, lavatory and meeting facilities. The parish centre is excluded from the listing.
