STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE)

STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE), THORNBURY ROAD

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Overview

Heritage Category:: Listed Building
Grade:: II
List Entry Number:: 1390552
Date first listed:: 06-Aug-2003
List Entry Name:: STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE)
Statutory Address:: STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE), THORNBURY ROAD

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Official list entry

Heritage Category:: Listed Building
Grade:: II
List Entry Number:: 1390552
Date first listed:: 06-Aug-2003
List Entry Name:: STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE)
Statutory Address 1:: STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE), THORNBURY ROAD

This List entry helps identify the building designated at this address for its special architectural or historic interest.

Unless the List entry states otherwise, it includes both the structure itself and any object or structure fixed to it (whether inside or outside) as well as any object or structure within the curtilage of the building.

For these purposes, to be included within the curtilage of the building, the object or structure must have formed part of the land since before 1st July 1948.

Understanding list entries

Corrections and minor amendments

This List entry helps identify the building designated at this address for its special architectural or historic interest.

For these purposes, to be included within the curtilage of the building, the object or structure must have formed part of the land since before 1st July 1948.

Understanding list entries

Corrections and minor amendments

Location

Statutory Address:: STATUE KNOWN AS GHOST OR DESCENT FROM THE CROSS IMMEDIATELY TO THE SOUTH OF CAMPION HOUSE (FORMERLY THORNBURY HOUSE), THORNBURY ROAD

The building or site itself may lie within the boundary of more than one authority.

County:: Greater London Authority
District:: Hounslow (London Borough)
Parish:: Non Civil Parish
National Grid Reference:: TQ 14880 77000

Details

787/0/10185 THORNBURY ROAD 06-AUG-03 Osterley Statue known as Ghost or Descent from the Cross immediately to the south of Campion House (formerly Thornbury House)

II Group of figures, known as Ghosts or Descent from the Cross, by Andrew O'Connor (1874-1941). First exhibited 1937. Portland stone. Three sinuous sculpted figures emerging from a block of rough limestone. Central figure of Christ, supported by flanking mourners, one male one female. The piece shows the strong influence of Rodin, friend and mentor of the artist, whom he met in Paris after 1905. HISTORY: this large-scale religious work was lent by the artist (whose studio was at 50a Glebe Place, Chelsea) to the Tate Gallery for the opening of its Duveen Sculpture gallery in 1937. In 1940, O'Connor requested its return to Ireland, but it was already in store. In 1950 the Tate contacted the Irish authorities. Hector O'Connor, son of the artist, negotiated through Father M.C.D'Arcy for the piece to be presented to the Jesuit community at Campion House. On 11 November 1953 it left the Tate, presumably for Osterley. Andrew O'Connor, an American artist of Irish and Scottish descent, was born in Worcester, Mass. He studied first under his sculptor father, and from 1894 in London, under John Singer Sargent whose sculptural work for Boston Public Library included a crucifixion group comparable to this piece. By 1905 he was living in Paris, where he met Rodin who strongly influenced his work. Many examples of public sculpture survive in the U.S.A. These include a bas-relief for mural of Boston Library (1894-7); Vanderbilt Memorial bronze doors, tympanum and frieze, church of St.Bartholomew', New York (1897 - 1902); equestrian figure of General Lafayette, Baltimore (1924); bust of Lincoln, Royal Exchange, London; Triple Cross, Dun Laoghaire Ireland, (from 1931). The sculpture possesses considerable interest as a late instance of fine figurative religious art. Its outdoor position is leading to its deterioration in terms of condition. SOURCES: Tate Gallery archives; T.Snoddy, Dictionary of Irish Artists, Dublin, 1996, p355-358; P. Ward-Jackson, Public Sculpture of the City of London, Liverpool University Press, 2003.

Legacy

The contents of this record have been generated from a legacy data system.

Legacy System number:: 490479
Legacy System:: LBS

Legal

This building is listed under the Planning (Listed Buildings and Conservation Areas) Act 1990 as amended for its special architectural or historic interest.