This browser is not fully supported by Historic England. Please update your browser to the latest version so that you get the best from our website.


List Entry Summary

This building is listed under the Planning (Listed Buildings and Conservation Areas) Act 1990 as amended for its special architectural or historic interest.


List entry Number: 1392599



The building may lie within the boundary of more than one authority.

County: Greater London Authority

District: Camden

District Type: London Borough


National Park: Not applicable to this List entry.

Grade: II*

Date first listed: 15-May-2007

Date of most recent amendment: Not applicable to this List entry.

Legacy System Information

The contents of this record have been generated from a legacy data system.

Legacy System: LBS

UID: 501737

Asset Groupings

This list entry does not comprise part of an Asset Grouping. Asset Groupings are not part of the official record but are added later for information.

List entry Description

Summary of Building

Legacy Record - This information may be included in the List Entry Details.

Reasons for Designation

DCMS agree yes list


Legacy Record - This information may be included in the List Entry Details.


798-1/0/10259 CAMDEN MEWS 15-MAY-07 (East side) 62 House and attached garage

II* Private house. 1962-5. Designed by Edward Cullinan as his family home, and built by Cullinan, his wife Ros and their friends at weekends.

Two storeys high, constructed in in-situ board-marked concrete posts and beams, supported on the rear party wall, from which the first-floor overhanging timber-framed structure is cantilevered. Rear wall, ground floor of house, and garage of second-hand stock brick, paviours to steps (and surrounding courtyard) are blue engineering bricks. Optimum use of the small site was made by placing the house a right-angles to the mews on a party wall along the northern boundary, maximising light by placing the open-plan living, dining and kitchen areas in a largely glazed first-floor gallery; three bedrooms and a bathroom are enclosed below.

EXTERIOR: The top courses of the brick ground floor are staggered inwards. Above this is exposed concrete framing with narrow, horizontal clerestorey windows lighting the ground-floor rooms. Ground floor has central entrance on S elevation; glazed timber entrance door with square margin lights. Upper floor is in exposed timber, cantilevered on S elevation with exposed oversailing joist-ends. Narrow horizontal windows, aligned with those to ground floor, light the floor level of the upper room. Large horizontal timber windows to upper W, S and E elevations; those flanking central entrance on S side are square. Windows to W elevation have external timber Venetian blinds. The upper area is reached via external stairs across the garage roof, which is decked over to form a terrace. Bridge link between house and garage serves as a porch. Very shallow, slightly stepped, monopitch roof with oversailing rafters on S elevation.

The roughness of the post-and-beam construction makes an immediate impression, as does the comparatively high quality of the massive-scaled joinery of the windows, which are set forward with big sills. The separation of different materials in different planes by means of cantilevered beams is one of the features of the complex S elevation. The upper area is reached via external stairs across the garage roof, which is decked over to form a terrace. Bridge link between house and garage serves as a porch to ground-floor entrance.

INTERIOR: Inside the construction materials are again expressed in concrete posts, boarded ceilings carried on exposed joists; paint is reserved for the brick walls of the ground-floor rooms. Built-in cupboards and bookcases line the area cantilevered area of the upper-floor living space; built-in kitchen area in centre to the side of the narrow central stairwell. Plain concrete stair. Flush panel timber doors. Tiled floor to ground floor.

HISTORY: Cullinan is perhaps the best known of all the architects working in a heavyweight vernacular tradition, also known as 'romantic pragmatism'. His own house supplied an accessible and widely-imitated model. Cullinan studied at Cambridge; when he went on in 1954 to the AA he joined the year where Ahrends, Burton and Koralek were already noted admirers of Frank Lloyd Wright. In 1956 he won a Fellowship and went to Berkeley, California, for a year. He met Wright and saw his work at first hand, but was also introduced to that of Greene and Greene, the Craftsman tradition of honest timber construction; and in particular to the work of Rudolf Schindler, whose love of materials and hands-on attitude to assembling them in a piecemeal, expressive way begins to explain Cullinan's own approach. Already Cullinan had reconstructed the derelict Bell Tout lighthouse on the South Downs for his father while at the AA, using detailing from Le Corbusier. After his return from Berkeley he worked part-time for Denys Lasdun, while producing a series of small houses for friends and family that he largely built himself.

Cullinan's house is an early exponent of the ingredients of Romantic Pragmatism, which combined natural and modern materials, vernacular and early modern references and a strongly focused, site-specific, design. The fa├žade of 62 Camden Mews has materials mastering and oversailing one another and avoids the partial sophistication of 'flushness and hidden detailing'. Every element of the simple design is in a slightly different plane. It inspired a series of small mews houses, especially in the Camden Square area where unbuilt backlack sites were beginning to be developed by architects in the 1960s, and it also defined a typology for Cullinan's subsequent houses.

While building the house at weekends, Cullinan was working for Denys Lasdun at Christ's College, Cambridge, and the University of East Anglia, and the forecourt of 62 Camden Mews is paved with blue bricks rejected from Lasdun's Royal College of Physicians. 'Its "indoors" and its "outdoors" are made of the same bits occupying the whole space created by North and South party walls and the ground; ... it collects sun', Cullinan wrote in 1984.

SUMMARY OF IMPORTANCE: Of major interest as an early and highly influential work of Edward Cullinan, which occupies a seminal position in the development of the private small house. In the national context, it has major architectural interest and survives virtually intact. It thus fulfils the criteria for listing at Grade II*.

SOURCES: Edward Cullinan, 'Building them yourself', in Edward Cullinan Architects, London, RIBA Publications, 1984, p 6; Miranda Newton, Architects' London Houses, Butterworth, 1992, pp 44-9. Kenneth Powell, Edward Cullinan Architects, London Academy Editions, 1995, pp 11-60; Bridget Cherry and Nikolaus Pevsner, The Buildings of England, London 4: North, 1998, p 391

Selected Sources

Books and journals
Cherry, B, Pevsner, N, The Buildings of England: London 4, North, (1998 revised 2001), 391
Newton, M, Architects' London Houses, (1992)
Powell, K, Edward Cullinan Architects, (1995), 44-9

National Grid Reference: TQ 29696 84724


© Crown Copyright and database right 2017. All rights reserved. Ordnance Survey Licence number 100024900.
© British Crown and SeaZone Solutions Limited 2017. All rights reserved. Licence number 102006.006.
Use of this data is subject to Terms and Conditions.

The above map is for quick reference purposes only and may not be to scale. For a copy of the full scale map, please see the attached PDF - 1392599 .pdf

The PDF will be generated from our live systems and may take a few minutes to download depending on how busy our servers are. We apologise for this delay.

This copy shows the entry on 22-Oct-2017 at 07:22:29.

End of official listing